Max Msp Software

Max Msp Software Rating: 7,8/10 2335 votes
  • 13 Artists Use This

  • Aphex Twin

    On Richard David James's SoundCloud account named 'user18081971', he mentions the use of MSP on the comments: 'also loads of you interested in the setup.running a few progs, Traktor/msp and eurorack modular.dont often use Traktor but its ok but pisses me off it doesn’t do multiple bpms per track, come on NI get with the ‘programme’ will put a modular grid config up to shut you all up :)'

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  • Björk

    'Damian Taylor employed Max to create alternative creative environments for Björk to conjure within'

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  • Autechre

    This interview describes Autechre's use of Max/MSP. 'Cycling 74's Max/MSP allows them to take the same creative approach in software, designing and implementing their own controllers, connections and sound generators.'

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  • Moderat

    '..For over 10 years, we had played with software made by Sascha, Safety Scissors, and Joshua 'Kit' Clayton. It's based on Max MSP and it's a simple eight-track live looper. You put loops in and they are all in sync. It can play them half time, double time—you can make funny, simple things.'

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  • Richard Devine

    'I met Professor Don Hassler at the Atlanta College of Art, he introduced me to a whole new world. He was teaching modular synthesis, computer synthesis, DSP processing, Max/MSP, SuperCollider and Pure Data'

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  • Apparat

    Apparat says he wrote his own tool for live performances.

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  • Tim Hecker

    In this Reddit AMA, Tim mentions he uses Max/MSP and Reaktor.

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  • Merzbow

    'I used MAX/MSP with contact mic'

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  • Fennesz

    'I use a Max/MSP patch for real-time processing.' From an article describe a collaboration between Ian Bellamy and Thomas Strønen.

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  • Ryoichi Kurokawa

    No one, interview

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  • M.E.S.H.

    Q: You've previously talked about working with presets. There's a producerly orthodoxy that you should steer clear of the presets. But that doesn't seem to worry you so much. A: Another thing I did on this record: with **Ableton Live and with Max For Live** there's lots of great ways to control the parameters using different types of LFOs and randomisers and envelope followers and stuff like that.

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  • Pauline Oliveros

    'The EIS began with awareness and use of the delay that could be heard between the record and playback heads on reel to reel tape machines that is now emulated and elaborated in Max/MSP software.' Also in an interview included in the book 'Pink Noises', by Tara Rodgers: 'It’s a long history of how things change from analog to digital. I still work with a hybrid kind of thing. I’m using Max, I’m using the computer as a programming and processing environment, but I’m still playing the accordion, which is a nineteenth-century instrument. All the sound is derived from acoustics rather than from electronics, but I use the computer system to process the sound. There’s still plenty of places for me to go, even.'

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  • Ikue Mori

    FJO: How many different programs are you using to make this all happen simultaneously? I see you have Max/MSP open. IM: For the music, this is all Max/MSP; the controller is Max/MSP and Jitter. And this is another effect. And I use GRM [plug-ins], and in that way I relate to physical musicians, but otherwise I’m not really physical at all. For the visuals, it’s a whole bunch of things made using FinalCut and then Flash to put together the animation.

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Reviews

'A groundbreaking, step-by-step approach to empowering the creativity of music educators and music students through interactive computer software design.' --from the Foreword by David Elliott, Professor of Music and Music Education, New York University

Public domain Max/msp V4.x files (constructed on PC but should work with max 4.x on either PC or Mac) Pitch tracking monophonic synthesizer.(Good for guitar, woodwind or even vocals) requires the fiddle external to work; Pizz, a more advanced plucked violin string model. A standard max patch no externals required. Listen (soundcloud). Remote Monitoring & Management Protect your customers with a platform from the global leader in monitoring and management. Backup & Recovery Manage backup for servers, workstations, applications, and business documents from one cloud-based dashboard. Mail Protection & Archiving Protect users from email threats and downtime. Password Management Easily adopt and demonstrate best practice. This section only includes software, not services. For services programs like Spotify, Pandora, Prime Music, etc. See Comparison of on-demand streaming music services.Likewise, list includes music RSS apps, widgets and software, but for a list of actual feeds, see Comparison of feed aggregators.For music broadcast software lists in the cloud, see Content delivery network and Comparison of. Max/MSP Software Design for Music, Math and Computer Science Outreach Reginald Bain, Professor Composition and Theory University of South Carolina School of Music 813 Assembly St. Columbia, SC 29208 USA rbain@mozart.sc.edu Abstract Cycling 74’s Max/MSP, a powerful graphical programming environment for real-time.

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'Max has become a major player in the world of music making and VJ Manzo's book is perfect for those who want to become fluent with the language. And, for the growing legions of music makers who are using clusters of applications for diverse projects, Manzo's clear categorization of Max functionality may well make this book an ongoing standard reference for building specific Max/MSP patches within each cluster.' --Morton Subotnick, Composer and Educator

In this two days workshop we will see how to create amazing visual content with the software Max/MSP. With Max it is possible to create visual content such as interactive video installations, VJ visuals reacting to music, generative art, camera tracking and creation and manipulation of 3D worlds.

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'This book is a lucid and systematic introduction for beginners or intermediate users to all three components of the popular multimedia software Max/MSP/Jitter, covering MIDI, basic programming concepts, real-time audio/video manipulation, camera tracking, and alternate controllers. VJ Manzo does an excellent job of clearly explaining how to use the software. Music educators, students, music technologists, sound designers, game developers, composers, and multimedia artists interested in learning Max in order to develop their own software applications will find this to be a highly useful text.' --Cort Lippe, Director, The Lejaren Hiller Computer Music Studios, University of Buffalo

Max Msp Software

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'There are very few comprehensive resources out there for educators in music technology to get their students engaged in the creative act of writing software, as opposed to simply relying on commercial applications. This book, start to finish, provides a thorough curriculum for using Max in a music education setting, nicely complementing the company's own documentation by showing how to build more complex projects that integrate interactivity and sound. Manzo's book is a great read, not only for educators and students but for electronic musicians looking to expand their arsenal of expressive tools.' --R. Luke DuBois, Brooklyn Experimental Media Center, Polytechnic Institute of NYU